Visual Scenario: Love for Living Systems, (2018).
Living Installation: Transient Circle, (2018).
Bureau Europa, New Fashion Narratives, Group Exhibition: As of NÅ« distribution of the new installation, (2019).
As of NÅ« Research kit, (2021).
Printing Plant Art Book Fair, Looiersgracht 60
Book presentation: As of NÅ« thesis, (2019).
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Short fashion film: Aether, (2017). Selected for Fashion Film Festival Milano, Roma Web Fest, Fashionclash Festival, Copenhagen Fashion Film Festival (Runner-up Best New Talent)
Trigger Magazine / FOMU, Essay, Defying Fashion: Cindy Sherman and Womanhood, (2024).
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Textiel Plus, SOFT! De helende kracht van textiel bij Gallery Rademakers, (2024).
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De Witte Raaf, Exhibition review: For Women Only, (2024).
Metropolis M, Exhibition review: Jota Mombaça’s reflections on migration at the former US Embassy – A Method/Grieving Time at West Den Haag, (2024).
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Textiel Plus Magazine, Textiel en Porselein: Konno’s studie van tegenstellingen, (2024).
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Metropolis M, Exhibition review: Ripples of disturbance – NEW WAVE. Future Voices in Art at Stedelijk Museum Schiedam, (2024).
Textiel Plus Magazine, Inger Odgaard breit tussen ruimte en leegte door, (2024).
Tubelight, Exhibition review: De tafel is gedekt; met rouwkost op het menu, Print + online publication, (2024).
Textiel Plus Magazine, De Gebreide Viering van Vrouwelijkheid van Evelyn Politzer, (2024).
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Metropolis M, Exhibition review: Volkskrant Beeldende Kunst Prijs: A Memoris of Messages, (2024).
De Witte Raaf, Exhibition review: Craft! Now. Over kunst en handwerk, Print + online publication, (2024).
Metropolis M, Exhibition review: Salon des Refusés, 1646: You are NOT invited, (2024).
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Tubelight, review: Ready-to-Post / Ready-to-Wear, Print + online publication, (2023).
Online Article: Fashion Professorship Arnhem, Fashion in times of the corona crisis, and post-crisis, (2020).
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Tubelight, review: Verhulde Vrijheid, Print + online publication(2019).
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Warehouse, V*gue A magazine reader: Luxury of Protest, (2018).
Elisa van Joolen Warehouse, PORTAL 001: Haptic visuality, (2017). Produced in collaboration with Booijmans van Beuningen
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Rozet, part of the State of Fashion Program, Scarfed Down (2022).
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ArtEZ Fashion Strategy, first year students, Teaching: A Time in Fashion Reading Group (2021).
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Interdisciplinary Arts first year students, Teaching: NÅ« Authorities workshop (2021).
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De Nieuwe Bibliotheek Almere, As of NÅ« exhibition and workshops, (2021).
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Stichting de Vrolijkheid, Beeld Formers Workshop: As of NÅ« Trend hiërarchieën (2020-22).
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Fashion for Good, Teambuilding workshop: As of NÅ« Trend Hiërarchieën (2020).
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Economy of the ephemeral : Bloom and decay in time-centric consumerism, Fashion Highlight publication (2024).
Beau Brummell & New Masculinities, Central Saint Martins, Paper presenation: Gymbeaux. (London, 2024).
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The Association of Dress Historians New Research Conference, Paper presentation: Fashion Trends As a Site of Conflict Between Aesthetics and Ethics (Edinburgh, 2022).
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KIEM-project, Solidarity in Fashion
Researching: A Framework for Solidarity in Fashion (2021-2022).
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Fashion Professorship ArtEZ, workgroup, Researching: Fashion and Human Agency (2021-22).
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Fashion Tales Conference, Politics Through the Wardrobes, Paper presentation: Fake-Authenticity for the Sake of the New (Milan, 2021).
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Karmen Samson graduated from the Design Cultures in Art and Culture MA at Vrije Universiteit Amsterdam (cum laude, 2023), the MA in Critical Fashion Practices in Fine Art and Design at ArtEZ University of the Arts (cum laude, 2019), and holds a BcS Fashion Branding, double minors in Visual Culture and Global Trend Watching the at the Amsterdam Fashion Institute (2016).
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Other work experiences include:
Writer, Textiel Plus Magazine, (currently).
Producer, Nieuwe Instituut, (2023-24).
Coordinator Education, Fashion for Good Museum, (2020-21).
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